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Glitch 2 v2. Each scene has its own unique sequencer pattern, timing, and effect settings, allowing you to create tons of unique variations for every moment in your song, all ready to go at the press of a key! Draw, erase, resize, split and join blocks with ease. Effects — 9 cheeky little effect modules designed to slice, dice, chop, screw, twist, turn and mangle your sounds into radical new forms. Category s: The cool thing is that you can trigger its numerous effects with configurable zones on your MIDI controller. While this might be a little overwhelming to have so many parameters, this is what allows you to achieve intricate sound design tricks.
System Requirem en ts: This is one of the most fun plugins to play with. In fact, you can control all eight parameters with a single knob!
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While it is easy to understand, you still need a basic knowledge of MIDI routing to make it work. Once you lock in the tempo-syncing feature, you can experiment with various modules like gating, panning, filtering, delays, and bit reduction. Every note on your MIDI controller will trigger a different combination of effects and patterns.
However, the secret ingredient of this tool is its Stutter Matrix, which enables you to restrict the stutter module to the size you want. Use anything from eighth-notes to 32nd-notes to create unique rhythmic fills. The fact that this little glitch monster is free blows our mind. This versatile processor is extremely useful when applied to drums, percussion, and synth lines. You can also activate the randomize function to set all parameters to random values and generate unusual creative effects. However, we do recommend trying their free plugins first described above.
Vengeance has built an incredible reputation for their quality sample packs and plugins. Built to create wild stutters and glitch effects in your club tracks, this impressive tool presents endless possibilities with its expansive arsenal of modules. You even have presets to use as a starting point, reverse engineer, and dig deeper into the heart of the plugin. To take this to the next level, you can re-pitch, down-sample, reverse, and saturate the signal to completely transform the source material beyond recognition. Try applying it to vocals, guitars, and lead elements to create never-ending echoes.
Nonetheless, there are endless ways to experiment with this plugin! However, you can only apply three at a time, which will still give you endless creative options. What gives you even greater flexibility is the ability to apply each processor to a different frequency band! It will switch between them at any random time. On the bottom, you have knobs that adjust how well you can hear each effect. You can have a lot of fun with this feature.
As you move the FM Depth knob higher, more frequencies become modulated, which can lead to wackier and weirder sounds. Try it on vocals for a robotic effect. Tape stop is a common effect heard in tracks across nearly every genre. Essentially it quickly stops the audio, while either pitching it up or down at the same time. Glitch 2 enables you to control how fast the stop occurs, and whether it pitches up or down. You can use multiple boxes in the tape stop effect row to have it occur multiple times! It chops up your effects into many parts. It captures portions of the input signal and repeats them at defined intervals.
Used in combination with tape stop or other effects, it can create some wild and interesting modulations. This function does exactly what it says! The effect captures the signal, goes from point A to point B, then goes back from B to A and continues looping.
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As a result, reverser has a lot of practical uses. You can easily reverse snares to get a whooshing sound before your main snare hits, for example. Use the Time knob to adjust how fast the reverser will loop point A and point B. This function will time-stretch any audio that occurs when the squares are highlighted, slowing down your sounds to a specified speed.
This effect is achieved by slicing up your sound into extremely small parts and spreading them out according to the speed knob. The slower the speed, the more each part is spaced out from the others. Use the speed knob to adjust how fast or slow the affected section plays. The grain size knob controls how long each slice of audio is.
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Use smoothing as a crossfade between each grain.